Gillian Mawdsley

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When we think of prisoner of wars (POWs), we probably think of British prisoners with the images that recall the impenetrable fortress of Colditz and statements that “for you the war is over” in the Great Escape. Both dramatise events with their focus on British escape stories where the

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Pictures of fighting and bombed buildings are a familiar sight from historic photographs. It is unlikely that anyone has paused to consider the effects of war in relation to records. Government Records Offices are not themselves immune from destruction. What then do documentary records have to do wi

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The trial in question, of Bruno Dey, opened in Hamburg on 17 October 2019. Dey was charged with his role within the Holocaust. It was alleged that he was involved as an accessory (compared to a perpetrator which is the distinction on which the book focuses) in the murder of 5,230 inmates at Stutthof

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